CAMOC 2014

CAMOC, the ICOM’s Committee for the Museums of Cities, had its annual conference during the first days of August in Sweden. The host was the Gothenburg City Museum.

This year’s topic was a very intriguing one – industrial heritage. CAMOC experts came from around the world, and the host country was the right place to find inspiring, state-of-the-art examples of what can be done in this area.

Thanks to the CAMOC’s grant, I took part in the event, from which I benefited at so many levels! It was great to see all the people I met at the ICOM Rio general conference in Brazil last year and to make new,  beautiful contacts and friendships. It was a privilege to learn from the leading Swedish experts in industrial heritage and to discover how they turn projects and ideas into reality. It was interesting to find out how museums around the world work beyond museum walls and how both experts and non-experts create numerous innovative, museum-like experiences everywhere, from Greece and Belgium to Japan or Australia. It was rewarding to share my own research findings and external views to the industrial heritage of Porto, and to find out it was inspiring to others too!

Out of many precious moments, here I will share a few of the most memorable:

Abandoned Places. Jan Jörnmark started to research abandoned locations accidentally. He ended up publishing several books of photographs: powerful and poetic, the “images worth a 1000 words” kind of photographs. It’s a pity that he, strategically, almost didn’t show any during his keynote speech at the conference…

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SAACKE. My dear colleagues Zé Luis Tavares and António Feio also research abandoned places, perhaps as long as Jan Jörnmark, and their work is at least as philosophical and poetic as Jörnmark’s. I hope that, soon, their findings will reach broader public. And we missed them in Gothenburg, even though their work was represented with a video!

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The Skateboard Guy. Professor Lasse Fryk used his son’s skateboard as a metaphor for the learning process: true learning is only possible through experiment and practice. Practice, and openness to challenges and possibilities of the contemporary epoch, make perfection!

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The textile museum in Borås. More than just a museum, it is a result of a joint effort of the university, the municipality and private investors. An abandoned factory has been converted into a multi-purpose creative center, opened this May. They already have converted 40 000 m2 of space, bringing all textile forces of the region together – from students to fashion designers, entrepreneurs and even innovators. And there are another 20 000 m2 to be transformed for the future tenants! The museum itself was bursting with colour and creativity. My favourite part (every girl’s favourite, I guess): a giant walk-in closet full of clothes, shoes and accessories, where it is possible and desirable to try everything on!

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Creative initiatives related to heritage in Athens. Marlen Mouliou explored them all! The Soundscapes/Landscapes project, that she experienced herself, sounded the most interesting to me. The idea was simple: interpreting the history and the atmosphere of a neighbourhood in Athens through its sounds, in real time. A hybrid, interactive artistic installation was commissioned by the Onassis Cultural Center of Athens and various artists participated. According to Marlen, the realization was brilliant – memorable and completely immersive. Something to investigate further!

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Photos: my own + k-blogg.se (Jan Jörnmark)  +  http://marinoskoutsomichalis.com/soundscapes-landscapes/

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