There is something special about the light of Lisbon, something magical and inexplicable that has always enchanted artists, writers, poets, ordinary Lisboetas … as well as the rest of us who have been visiting the city. But how to explore, grasp and understand that magic (without killing the charm), how to explain and present such a complex, subtle, intangible feature in a museum?
An excellent (and still ongoing) exhibition, “The Light of Lisbon”, was created this summer, based on love for Lisbon and an combined artistic and scientific approach to the phenomenon of light. As such an unusual exhibition theme requires unusual collaborators, one of the curators was a physics professor, while another came from the area of film and cinema. The space: western tower of Terreiro de Paço, recently acquired from the military authorities and converted for cultural purposes, overlooking the Tagus river and the main city square.
The exhibition cannot be put neither in a scientific nor in an artistic box: actually, the secret might be in the fact that the rational, emotional and the experiential side to the exhibition worked so well together. All my senses were captivated! Pieces of art from the Museum of Lisbon collection (some of them have never been displayed before), poetry that could be listened to, the museum space with windows wide open, letting the view gaze towards the cityscape at times and the very light in question pour in, all that acted in a synergy. Light is a dynamic and changing phenomenon – wonderful timelapses from the very museum roof and the films displayed capture that very well.
And so, it is proven: the materials Lisbon is built of, the colours of its façades, frequent winds that clear out the air, the number of sunny hours, topography, reflections from the water surface, and the interplay of so many other factors have their role in enabling the particular Lisbon light. There are many complex but measurable features to it! Still, for science there always remains an inexplicable bit. As “The Light of Lisbon” shows, its magic and its sense can only be grasped and transmitted completely by bringing art, intuition and experience into play.
Photo credit: Nuno Cera, 2008