Better belated than never, here I come with a glimpse into a recent conference on places and meanings: Genius Loci, held at FLUP in late April. As if the programme was tailor-made to correspond with my latest research interests! The presentations within seven major thematic sections were organized in parallel sessions. And there lied a little problem: I simply couldn’t be at all presentations I wished to attend!
FLUP’s Department of Heritage Studies organized the event on the occasion of its twentieth anniversary, together with its specialized body named CITCEM (standing for the Transdisciplinary Research Centre “Culture, Space and Memory”). The diverse areas covered ranged from sacred spaces, over heritage management issues to representations of vernacular and transitional worlds.
The atmosphere at FLUP was amazing: a river of curious people engaged in learning something new and passionate about knowledge exchange. I heard about creative geography of cinema, learned valuable facts about the spirit of Porto, about Portuguese architectural regionalist movements, got acquainted to theoretical approaches on walking as a mode of construction of place, on hybrid spaces and place-making. Some of that, actually, by serendipity, stumbling upon presentations: while waiting for the desired speeches, the others that were to attend in-between revealed themselves equally interesting!
Last but not the least, the position and architecture of the FLUP’s building certainly contributed to the inspiring atmosphere of the event. The postmodern edifice is a work of Nuno Jennings Tasso de Sousa from the end of 1980s. It was designed for 4000 students, combining a myriad of open and covered spaces, carefully integrating the interplay of light and shade, and viewpoints leading the curious visitor to discover the surrounding cityscape and the architectural accents of the building itself.